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Clitheroe
is a town of two hills - on one, perched on a rocky outcrop,
is the battered Norman keep of Clitheroe Castle, and on the
other the parish church of St Mary Magdalene. There has been
a church on this site since at least 1122, when the building
was granted to the Priory of St John in Pontefract. The chancel
arch of this Norman building was taken down as recently
as 1828, but nothing now remains of it. The oldest of what we
see today dates from the early C15 rebuilding. In 1828-9 and
later there was further and substantial rebuilding that has
given the church its present character.
St
Mary's C15 west tower is typical of the area - a west door with
hollow moulded arches, a west window that once lit the interior,
but now opens onto a ringing chamber, simple bell louvres, and
a south east corner stair projection. The upper part of the
tower, including the corner turrets and spire with flying buttresses,
was added in 1846, and makes the church very visible in the
town.
Of
the same period is the east wall of the church, with its fine
window with Perpendicular panel tracery. It is common for the
whole chancel to be retained during C19 rebuilding -
see Penwortham or Hornby - but less so for just a wall and window
to remain. Perhaps it was the quality of the tracery that led
to the window being saved. The main lights of the window are
filled with heraldic glass of c.1830 - fifteen shields
of families and organisations important in Clitheroe's history.
They are Whalley Abbey, York, Canterbury, Chester, Assheton of
Whalley, De Lacy, Duchy of Lancaster, Dukes of Albemarle, Dukes
of Montague, Dukes of Buccleuch, Lord Ribblesdale, Lord Brownlow,
Borough Shield, Lord Curzon and Lord Howe.
The
nave is the work of Thomas Rickman, and dates from 1828-9. Rickman
(1776-1841) is as well known as an early architectural
antiquarian as he is architect, and his "Attempt to
Discriminate the Styles of English Architecture" (1819)
was responsible for the terms Early English, Decorated
and Perpendicular being used to subdivide English Gothic. Here,
at a cost of £3,500 (including £1,500 from the Commissioners
for the Building of New Churches) he built a short chancel
and a nave with tall, thin, octagonal piers, and increased the
capacity from under 500, to 1,150. Galleries along the north
and south walls - with traceried fronts and supported on
thin iron columns - helped to achieve this increase in
capacity demanded by the town's growth. The nave is lit by tall,
narrow windows of quite un-historical, though vaguely Perpendicular
character. Externally the windows mark the gallery level
inside with a transom. The nave was raised with a clerestory
level and vaulted roof in a restoration of 1898. The whole effect
seen today is quite magnificent, and very light.
The
church has a south chapel - the Alley's Chapel named after a
nearby house - in which are ancient alabaster effigies of Sir
Richard Radcliffe (d.1441) and his wife Catherine. Sir Richard
served with Henry V at Agincourt. The altar of the chapel is
a former chest-tomb of the early C18 decorated with the skull
and cross bones. Above the altar, and in a south window are
fragments of ancient glass, including a St Catherine) set
above C20 figures.
In
the nave is a churchwardens' pew of 1678 with an attached poor-box
carved from a solid piece of oak and bound with iron.
The
Church Website
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